The European Music Archaeology Project (EMAP) is the first organic journey from Prehistory's sounds to still surviving traditions, from very very early music to the present day composer, blending archaeology and art, science and creativity.

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European Music Archaeology Project
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de valladolid, middlesex university london, prehistoric cave, exploratorium, aulos, instrument making, university of helsinki, wien austria, european music archaeology project, archaeomusicology, massimo legni, architutto designers, ludi scaenici, european music archaeology project emap, emaproject, strand 1.1 of education audiovisual and cultural executive agency eacea, strand 1.1 of education audiovisual and cultural executive agency, education audiovisual and cultural executive agency, europe’s ancient cultural roots, cultural roots, upper paleolithic period, great classical civilizations, mediterranean basin, multimedia exhibition, sound evidence, virtual interdisciplinary music interface, musicologists, makers of musical instruments, multimedia artists, public bodies, bone flutes, musical traces, bone flute, bullroarer, musical trace, chordophones, metal horn, lituus, carnyx, bronze trumpet, spectacular bronze trumpet of celtic origin with a zoomorphic bell shape, celtic origin, bell shape, double pipes, greek aulos, double pipe, roman tibiae, tibiae, pan pipe, lithophones, sistrum, amazing hydraulic water organ of alexandrian origin, hydraulic water organ, water organ, water organ of alexandrian origin, iconographic evidence, archaeological finds, high quality instrument reproductions, the original voice of the instruments, giving back the original voice of the instruments, 3d replicas of the instruments, islands of sound of the exhibition, islands of sound, soundgate, megalithic monument, a megalithic monument like stonehenge, greek and roman theatres, greek theatres, roman theeatres, academic contribution to a field of study scarcely investigated, calendar of cultural events in the european cities involved in the project, conferences and archæomusica – the sounds and music of ancient europe, archæomusica, archaeomusica, archæomusica the sounds and music of ancient europe, the exhibition that will open in rome in may 2016, rome 2016, archæomusica exhibition rome may 2016, may 2016, emap organogram, organogram, emap project partners, comune di tarquinia it, comune di tarquinia, assessorato alla cultura, comune di tarquinia assessorato alla cultura, emap coordinator, cyprus institute cyi cy, cyprus institute cyi, science and technology in archaeological research center starc, cyprus institute cyi science and technology in archaeological research center starc, cyi, emap co organisers, deutsches archäologisches institut dai de, deutsches archäologisches institut dai, orient abteilung, deutsches archäologisches institut dai orient abteilung, musik i syd ab skåne kronoberg mis sv, musik i syd ab skåne kronoberg mis, österreichische akademie der wissenschaften öaw at, österreichische akademie der wissenschaften öaw, institut für kulturgeschichte der antike, österreichische akademie der wissenschaften öaw institut für kulturgeschichte der antike, öaw, royal conservatoire of scotland rcs uk, royal conservatoire of scotland rcs, regione lazio it, assessorato cultura, politiche giovanili e turismo, regione lazio assessorato cultura, university of huddersfield uk, humanities and media, university of huddersfield music humanities and media, università degli studi della tuscia unitus it, università degli studi della tuscia unitus, unitus, dipartimento di scienze dei beni culturali disbec, disbec, università degli studi della tuscia unitus dipartimento di scienze dei beni culturali disbec, universidad de valladolid uva es, universidad de valladolid uva, departamento de h. y cc de la musica, universidad de valladolid uva departamento de h. y cc de la musica, juan p. arregui, juan p. arregui manager for the universidad de valladolid, marco boccitto communication management, marco boccitto, arnd adje both exhibition curator, arnd adje both, stefano de angeli manager for the università della tuscia, stefano de angeli, ricardo eichmann manager for the deutsches archäologisches institut, deutsches archäologisches institut, ricardo eichmann, luca gufi project manager for the municipality of tarquinia, municipality of tarquinia, luca gufi, stefan hagel manager for the osterreichische akademie der wissenschaften, osterreichische akademie der wissenschaften, stefan hagel, sorin hermon head researcher for the cyprus institute, cyprus institute, sorin hermon, peter holmes head researcher for the ancient brass team, ancient brass team, abigail howkins film producer for the royal conservatoire of scotland, royal conservatoire of scotland, abigail howkins, giancarlo iannone research assistant for the cyprus institute, giancarlo iannone, raquel jimenez head researcher for the universidad de valladolid, raquel jimenez, massimo legni website and graphic design, massimo legni architutto designers, emiliano li castroart director, emiliano li castro, cajsa s. lund head researcher for musik i syd ab skåne kronoberg, musik i syd ab skåne kronoberg, musik i syd, cajsa s. lund, marco magni exhibition design, marco magni, martin martinsson manager for musik i syd ab skåne kronoberg, martin martinsson, adam mcilwaine film director manager for the royal conservatoire of scotland, adam mcilwaine, rossella mignanti website administrator, rossella mignanti, cristina pantellaro project managers assistant for the municipality of tarquinia, cristina pantellaro, claudia pelosi manager of the laboratory analysis for the università della tuscia, claudia pelosi, placido scardina exhibition’s equipment and transportation management, placido scardina, eleni sophocleus manager for the cyprus institute, eleni sophocleus, olga sutkowska head researcher for the auloi tibiae team, auloi tibiae team, olga sutkowska, rupert till managerfor the university of huddersfield, rupert till, angela toro manager for the regione lazio, angela toro, kiriaki yakoupi research technical assistant for the cyprus institute, kiriaki yakoupi, associated partners, the abbey in ystad sweden, the abbey in ystad, aeeca asociación para el estudio experimental de la cerámica arqueológica bailén spain, aeeca asociación para el estudio experimental de la cerámica arqueológica, aeeca, asociación cultural prehisoria valladolid spain, asociación cultural prehisoria, cervitrum csic consejo superior de investigaciones cientìficas institute of historymadrid spain, cervitrum, csic consejo superior de investigaciones cientìficas institute of history, festival tarraco viva tarragona spain, festival tarraco viva, fundación joaquín díaz urueña spain, fundación joaquín díaz, galway early music festival galway ireland, galway early music festival, ictm study group on music archaeologystg berlin germany ictm secretary ljubljana slovenia, ictm study group on music archaeology, isgma international study group on music archaeology berlin germany, oup on music archaeology, isgma international study group on music archaeology, middlesex university london united kingdom, museo de la ciencia valladolid spain, museo de la ciencia, museo de la música colección luis delgado urueña spain, museo de la música colección luis delgado, officina dellarte e dei mestieri sebastian matta tarquinia italy, officina dellarte e dei mestieri sebastian matta, pokrajinski muzej ptuj ormož ptuj slovenia, pokrajinski muzej ptuj ormož, university of helsinki finland, department of early prehistory and quaternary ecology university of tübingen germany, department of early prehistory and quaternary ecology university of tübingen, exhibition introduction, sounds and music of ancient europe, june 2016 and may 2018, june 2016, may 2018, sound and space of past cultures, sound in ancient europe, music archaeological research, experimental playing, high quality replicas of ancient sound artefacts and depictions, high quality replicas of ancient sound artefacts, replicas of ancient sound artefacts, interactive multimedia materials, physical artefacts, topic room, primordial sounds, sound isles, the so far oldest instruments of humankind, old instruments, upper palaeolithic, aurignacean, magdalenien, pipes and flutes made from bird bone and mammoth ivory, bullroarers from deer antler, multimedia station, myths and legends about the creation of the world through music and sound, creation of the world through music and sound, objects with possible functions as sound tools, stone gongs, mammoth bone percussion ensemble, a possible flute of the legbone of a cave bear, flute of the leg bone of a cave bear, ceramic instruments of the neolithic period, ceramic instruments of the bronze age, ethnographic object, birch bark trumpet from finland, birch bark trumpet, instruments through the ages, links among cultures through music and musical instruments, hellenistic influences in egypt and tadzhikistan, roman influences in sudan, influences from mesopotamia and egypt to europe, replicas of highlight key objects, lures found around the baltic sea, celtic carnyces, greek and etruscan salpinges, connections between the mediterranean and northern europe, ancient double pipes, greek auloi, european music cultures, european key cultures, different instrument types and sources, meanings and functions of musical instruments in society, meanings and functions of musical instruments, musical past, isles of sound, bronze and iron age cultures, mediterranean and central europe, multimedia stations, famous composers, timotheus of miletus, 6 different ancient greek tunings, replica of a water organ hydraulis, water organ hydraulis, hydraulis, semi circular multimedia time machine, past soundworlds, past environments, dimensions of space and environment to sound through time, 180 degree surround cinerama effect, surround digital video shot on site with multiple cameras, recordings of musical instruments from antiquity, several environments and their sounds, bone flutes being played in palaeolithic caves, palaeolithic caves, horns and drums being played on the mesolithic coastal site of ales stones in scandinavia, ales stones in scandinavia, sound of the wind and rain at stonehenge in england, sound of the wind and rain, carnyx being played at callanish stone circle in scotland, carnyx being played, callanish stone circle in scotland, callanish stone circle, kithara player at a greek theatre, kithara player, roman aulos being played at pompeii, roman aulos being played, roman aulos, celt iberian trumpets, celt iberian trumpets sounding in ancient spain, ancient spain, workshop room, touch and play strange instruments and sound tools never heard before, strange instruments, sound tools, never heard before, sequences of research and discovery, past sound, the midden, interactive playground for children, imagine you are an archaeologist in the future, excavate a musical instrument buried in a midden, a musical instrument buried in a midden, guess what it is, abbey in ystad, ystad sweden, valladolid spain, starc residence building, cyprus paphos, ex gil, galway early music festival 2014, ad bc, greek roman early european music, an archaeomusicological adventure, cajsa lund, åke egevad, ensemble mare balticum, barnaby brown, ludi scænici, have you ever heard a tibia, or a carnyx or a lyre, wondered what nero fiddled as rome burned, what larry loinsigh’s harp sounded like, larry loinsigh, larry loinsigh’s harp, early musical culture of europe, development of european music, from ancient to early medieval and renaissance, early horns, bronze age irish trumpas, trumpas, animal headed carnyx, latin cornua, tubae, bucinae, early irish harp, triple pipes, early sound tools, meeting on the ancient hydraulis, ancient hydraulis, library of the institute for the study of ancient culture of the austrian academy of sciences, symposium of the international study group on music archaeology, music archaeology, ethnologisches museum, sound plays a central role in all cultures, acoustic phenomena, everyday objects reinterpreted in a new context to produce sound, natural phenomena or the human body as part of a communicative performative act, human body as communicative performative act, interrelationships of sound sounds objects, sound history, sound culture, team of the european music archaeology project, europe’s archaeological music cultures and their integration, jornadas de arqueologia musical, study days of music archaeology, comision de trabajo de arqueología musical of the spanish musicological society, egyptian museum of barcelona, municipality of el puerto de santamaría cádiz, center of mon rogencs studies tarragona, center of turiasonenses studies zaragoza, university complutense of madrid, university of valladolid, maría isabel panosa domingo, ángel román ramírez, joan martí, carlos garcía benito, isabel rodríguez lópez, alexandra bill, the ancient brass project, workshop of the ancient brass team of the european music archaeology project, lip reed aerophones, wooden trumpets, techniques that in part are still shrouded in mystery, simple and natural instruments, complex and sophisticated instruments made in metal, bronze instruments, jean boisserie, john creed, alessandro ervas, carlo brignola, reconstruction of ancient musical instruments, horns and trumpets of the bronze and iron ages used throughout europe, celtic carnyx, cornu and tuba, trumpets typical of the etruscan civilization, listen to the sounds of the first instruments recreated by these experts, the furious sound of marching bands of carnyces constituted a secret weapon for the celtic armies, marching bands of carnyces, celtic armies, deskford carnyx, deskford carnyx created by john creed in 1993, sanzeno carnyx, sanzeno carnyx recreated by alessandro ervas, etruscan lituus rebuilt by peter holmes, etruscan lituus, roman cornu and tuba, high profile reproductions, diagnostic laboratory “michele cordaro” of the university of tuscia, ulderico santamaria, department for the architectural and archaeological heritage of the autonomous province of trento, municipality of naves, carnyx found in the votive deposit of tintignac, the workshop of dionysus, meeting of the auloi tibiae team of the european music archaeology project, auloi tibiae team of the european music archaeology project, suplu, one of the most popular instruments of the ancient world, double flute, double reed pipe, instruments made in bone, instruments made in wood, instruments made in cane, rotating sleeves of silver, rotating sleeves of bronze, rotating sleeves of copper, bone or ivory core, ancient piping, archæomusica – exploring the sounds and music of ancient europe, exploring the sounds and music of ancient europe, rome may 2016, emiliano li castro emap’s artistic director, adje both curator of the exhibition, adje both, stefan hagel austrian academy of sciences, olga sutkowska co ordinator of the the auloi tibiae team, poetovio, barnaby brown national piping centre glasgow, sardinian launeddas, launeddas, highland bagpipe, giorgia agresti, rosangela faieta, cristina majnero, roberto stanco, marco sciascia, massimo monti, gorga collection, tibia gorga, ancient reeds, screen partner, multi media exhibition, a long form documentary about the project, vimeo channel, director adam mcilwaine, producer abigail howkins, ba digital film and television course, screen department team, press kit releases, press kit images, newsbic, pasthorizons adventures in archaeology, pasthorizons, archaeology arts, history of the ancient world, on tuscia, roma online, tuscia eventi, archeologia.it, centro de estudios turiasonenses, sedem sociedad española de musicología, sedem

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